The print that started it all: the reds of the red caps in Renaissance portraits.
"All my life I’ve pursued the perfect red. I can never get painters to mix it for me. It’s exactly as if I’d said, “I want Rococo with a spot of Gothic in it and a bit of Buddhist temple” – they have no idea what I’m talking about. About the best red is to copy the color of a child’s cap in any Renaissance portrait." - Diana Vreeland, 1984
Edition of 100 — this entire edition has sold.
Inkjet print on matte paper
Signed and numbered
24 x 36", sold unframed
All sales final.